After my 35mm movie clip insertion into the "Radio City Christmas Spectacular" performances, I make my way from the projection booth, high atop the Fox Theatre, down through the vast balcony and lobby (furtively dodging snippy, power-hungry volunteer ushers), into and along the basement, up the stairs, treading the stage over to this ultra-tech video console, located in a utility closet across the hall from The Slop Room, where the big sink and mop reside, fester, and plot.
I feel so regal.
From this location, I await my cue to play and project an 89-second piece of video into the famous Radio City "Living Nativity" sequence, via the actual equipment used in Bethlehem on that fateful night.
